Continental Confidential 

"Revealing the facts, and naming the names"

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The Continental Club

Rockin' South Austin since 1955

1315 S. Congress Ave, Austin TX 78704

http://www.continentalclub.com

http://www.myspace.com/continentalclub

Volume XIV, Issue 3.4 * August 26, 2010

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"This is simply one of the greatest clubs in the country. With its rich tradition and great reputation for always having good music, the Continental Club seems to be a hot spot for anyone who really likes music. And if you go, you just may find yourself sitting next to Julia Roberts or Johnny Depp. You never know at the CC. And that's why bigger acts always make a stop here on tour. As far as musicians are concerned, there's no better place to play...or go." ~CitySearch.com

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Dianne's Dishbr>

Hello everyone! I know I had more news for y'all this week, but I didn't make notes. Now I have no idea what it all was. I hope I can catch up next week if I forgot something important. In the meantime...

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Carryin' On - Dale Watson
review by Steve Leggett, AllMusic.com

Dale Watson doesn’t fit well into the formula that makes contemporary country radio what it is, and he doesn’t fit well into contemporary country, period. There’s no trace of pop or rock in his approach, and since his recording debut in 1995, he’s always been closer in sound to classic country artists like Johnny Cash, Merle Haggard and Ray Price than he is to the Kenny Chesneys and Jason Aldeans that pass for country in the 21st century. It’s no accident -- Watson has been very vocal about his views that country has lost its identity in the past couple of decades and that what passes for country these days is just so much stylized bubblegum. And he puts his money where his mouth is, writing songs that seem comfortably wise and timeless, without any trace of contemporary hip glibness, and then tracks them with traditional country instrumentation. The end result sounds old but with all the sonic fullness of a contemporary recording. His latest album, Carryin’ On, is no exception, although for this outing, Watson has abandoned analog equipment for the first time and gone digital, but no worries, Carryin’ On sounds exactly like a Dale Watson record, thanks in part to the presence of Nashville session veterans Lloyd Green on steel guitar, Hargus "Pig" Robbins on piano, and Pete Wade on guitar. The opener, “Carryin’ On This Way,” is an old country gem, sounding a bit like a refurbished “Gentle On My Mind” in approach and flow, while “How to Break Your Own Heart” is a honky tonk ballad that one would swear had been around forever. If Watson has a flaw, it’s that he does rail on too much at times at the new country establishment in his songs, but he keeps that to a minimum here, and only the closer, “Hello, I’m an Old Country Song,” really strays into that territory. All in all, this is one of Watson’s finest albums. Just don’t expect to hear much of it on the radio.

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Here's the latest on Best Wurst:

The City decides Best Wurst has impeccable record and is fully entitled to their location. However, Parkside persists with their bullying tactics upon the City of Austin and the Best Wurst, and with mounting legal bills and financial losses due to Parkside’s actions, we decide it best to yield to the battle. We have chosen to vacate our location as it becomes apparent that Parkside will use any means to rid Best Wurst of its rightful location.

The Bigger Picture:

We succumb to Parkside incessant and unrelenting bullying to give up our space. Despite being cleared by the City, having noted on record that our record is "impeccable" and having been informed that if we should push for our original location, the City would have no reason to deny us. The city has stated that we in fact have full legal right to remain in our spot, yet Parkside has made it clear that they will fight the City and/or Best Wurst by any means to keep us from what is ours.

Unaware that we have accepted an agreement already, Parkside have already begun writing city officials to try and oust us on regulatory grounds and by trying to apply code enforcement in their misdirected tactics, while embarrassingly demonstrating to the city (again) their poor understanding of city statute and regulations.

With peace of mind that we have done nothing wrong and that we are on the moral and legal high ground, we none-the-less realize that we can not in good conscious put the City through the battle that would inevitably arise. Likewise, we can not afford to continue a battle with mounting legal bills and losses over $15,000 due to the Parkside's actions. Instead, we choose to be away from the toxic energy of the Cirkiel’s and Parkside Restaurant.

In the interest of the community, and our own financial well being, we have agreed to accept a solution worked out between Best Wurst, the City of Austin and the Pedi-Program to build out a pedestrian space in front of the burnt out Black Cat that will incorporate a pedestrian space with a bike rack and room for the Best Wurst mid-block. This is about 60 feet from our original location at 309 E. 6th street. While it leaves us literally "in the gutter" for the time being, and with an unsure future depending on the business that takes up at the Black Cat space, it is the best resolve for the moment.

While we had hoped that the Cirkiel’s might realize their misjudgment and abide by the city’s decision and by current law, it has become increasingly obvious that they play by their own rules. Likewise, after a brief meeting with father and building owner Martin Cirkiel, I had hoped his words about coming together when this was over, and about the importance of the “healing process” were sincere, I now realize it was simply more lip service. His actions after that talk proved geared toward running up our legal bills with numerous calls to our lawyer, and trying to force us into costly mediation. Likewise, discussions of a settlement as incentive to move proved a ruse, and in turn let me know that the Cirkiels simply feel a sense of entitlement.

We know we have a ways to go to fix things, but we can begin here.

We want to thank all of you for your support during this difficult time. It has been your letters and emails that have tipped the scale in our favor. Likewise, we thank the City of Austin for their patience and open mindedness in finding a solution for this problem and recognizing the value of a small small business like Best Wurst! And please be thankful for this team that appeared out of nowhere: Susan Kwasniak, Alexandra Landeros, JoRae Di Menno, and David Holmes. They have led the path and saved the Best Wurst. And believe it or not, our lawyer who has done an amazing job in giving sound advice, Monica Emilienburg of Richard’s, Rodriguez & Skeith.

As for Parkside? Vote with your dollar, and Say what you will. I trust in integrity,…and for those without, I prey for growth!

In optimism,
Jon Notarthomas

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By the way, I've created a Facebook Group for The Continental Club and we already have 3,150+ members! If you're on Facebook, we'd love to have you join our group. We also have Twitter accounts for both The Continental Club, Twitter and The Continental Club Gallery, Twitter that are updated daily (unless it's my day off and I forget). I'm trying to keep up with The Continental Club and The Continental Club Gallery's daily calendars on the Facebook Group page. Things change so quickly though that it's always best to double-check with our website's online calendar (click on Upcoming Shows and then click on calendar date) or call the Club at 512-441-2444 for the most up-to-date information.

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The Continental Club History is always an ongoing project for me. If you have stories or photos to share, I would love to hear/see them! I've posted several photos of the refurbished CC sign from 1987 on our photo page. I've also found a lot of information on The Continental Club's very first residency band - The Four Mascots - from 1955! You can even hear 6 of their songs on MP3. Click here to learn more, view the photos & hear the MP3s.

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Do you want to see the photos that we take around the Club? Photo links
If you would like to submit photos you've taken, please send JPGs in either of the following formats: approximately 5"x7" @ 300dpi to allow for resizing, or 300 pixels height @ 72dpi.

Please Note: While I try to be very accurate with lineups, times & cover charges for our shows, last-minute changes and errors can, and sometimes do, occur. Call the Club at 512-441-2444 for the most current information for Austin shows.

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The Continental Clubs in Austin & Houston and The Continental Club Gallery are all on MySpace! You can even "subscribe" to the newsletter through MySpace! The address for Austin is www.myspace.com/continentalclub, the address for Houston is www.myspace.com/continentalclubhouston and the address for The Continental Club Gallery is www.myspace.com/continentalclubgallery. Won't you be our "Friend"?

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Are you a customer with questions about upcoming show times, tickets, cover charge etc.? In Austin call: (512) 441-0202 or (512) 441-2444 or e-mail Dianne at info@continentalclub.com. In Houston call: (713)529-9899 or (713) 529-9666. Are you a musician inquiring about booking a gig? Booking in Austin: steve@continentalclub.com. PR in Austin: Dianne, info@continentalclub.com. Booking & PR in Houston: pete@continentalclub.com.

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If you would like to get on the list to receive a weekly e-mail of our happenings, please request the Austin info from Dianne at info@continentalclub.com. There is currently no e-mail version of the newsletter for Houston, however there is a monthly pdf calendar available via e-mail. Sign up for the free subscription to the Houston calendar by sending an e-mail with "subscribe" in the subject line to calendar@continentalclub.com. If you have questions about Houston shows, contact Pete at pete@continentalclub.com. To unsubscribe from the e-mail version, or if you feel that you have received the e-mail in error, please respond to info@continentalclub.com with "unsubscribe" as the subject. Don't forget to get your birthday to me if you want to be on the monthly birthday list. I'd be happy to add Houston birthdays also if y'all let me know about them!

Keep readin' & rockin'....
Dianne

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SoundBites - Austin

Happy Hour

Monday HH @ 6:30-9pm. No cover - Olivier Giraud returns for every Monday with his latest Django incarnation, Continental Graffiti. The gypsy jazz sound that Olivier has become known for is great for dancing - the Balboa and swing dancers are looking forward to it, and so are we! Want to dance like a pro, or at least an advance beginner? Check out FourOnTheFloor.com for classes and events.
Video Links:
Continental Graffiti

Tuesday HH @ 6:30pm-9:30pm. $7 - The Queen of The Continental, Miss Toni Price, continues to pack the house for her Happy Tuesday Hippie Hour! The cover is $7 for an incredible evening of music. She will feature a cast of musicians which will include her super-talented sidekicks Rich Brotherton, Marshall Hood, Warren Hood, Willie Pipkin, and others.
Video Links:
Toni Price

Wednesday HH @ 6:30-9pm. No cover - Beginning on 9/1, Western Swing aficionados Hot Club of Cowtown return to Austin and take up this Happy Hour residency for the entire month of September! The Hot Club of Cowtown has been invited to collaborate (Bryan Ferry), tour with (Bob Dylan) and work alongside (Willie Nelson) several more contemporary artists.  These invitations--by Bryan Ferry to interpret his work into a Western swing format (unreleased), as well as more high-profile international tours,  have led the Hot Club of Cowtown to dip a toe into the modern mainstream. Rachel Ray even put them in her cookbook! Appearances at mega-festivals from Byron Bay (Australia) to Fuji Rock (Japan) to Glastonbury (UK), Jazz at Lincoln Center's 2009 fall season to Jools Holland's hit BBC TV show "Later" have also helped bring the Hot Club of Cowtown growing acclaim and a little closer to the millions waiting to fall in love with their music. The Hot Club of Cowtown has just returned from spring and summer tours in Australia and the UK where they have been capturing daily 4-star reviews both for their live shows and for album reviews (Sydney Morning Herald, The Guardian,  The Independent, The London Times). The Hot Club will be alternately touring the US and abroad in support of WISHFUL THINKING.
Video Links:
Hot Club of Cowtown

Thursday HH (3 years and counting) @ 6:30pm-9:30pm. $5 - Planet Casper has found a permanent home in Thursday Happy Hour! The format will remain the same as it was in its 2-year Tuesday residency - Casper Rawls will invite a couple of top-notch musicians to join him each week. Because of the caliber of talent that Casper is drawing from, like David Grissom, Warren Hood, "Scrappy" Jud Newcomb, Rich Brotherton, Marvin Dykhuis, Earl Poole Ball, Glenn Fukunaga, David Carroll, Sarah Brown, Ernie Durawa, Lisa Pankratz, Jon Hahn and Rick Richards, we have a $5 cover charge for this Happy Hour. What a hip way to spend a Thursday evening!
8/26: Wrap up the summer in style with guests David Grissom, David Caroll, and Jon Hahn...only 5 dollars!Warren Hood and The Goods
9/2: Warren Hood and The Goods fill in for Planet Casper...still only 5 bucks!
Video Links:
Planet Casper
Warren Hood

Friday HH since January 1988 @ 6:30pm-8:30pm. No cover - The Blues Specialists have played continuously on Fridays at The Continental Club for 22 years! Although founding members ErbieBowser & T.D. Bell have passed on, the authentic blues tradition continues with band leader Mel Davis (T-Bone Walker's nephew - he doesn't brag on it, so I will) on vocals, sax & harmonica and T.D.'s son, Lawrence on keyboards.
Video Links:
Blues Specialists

Saturday Matinee (for an amazing 9 years!) @ 3pm-7pm. No cover - Redd Volkaert (Merle Haggard) picks & grins for his classic country Saturday matinees with a great cast of players. Redd's playing is so revered that many other musicians come to Redd's shows just to study his technique & sound. He is a Telecaster master with a Sex Drive™, a Zia Drive™ and a Mucho Boosto™ too!
Video Links:
Redd Volkaert

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NightTime Residencies

Early Show Sunday Evenings! Doors open @6:30pm, Show @ 7pm. $15 - Returning to where it all began, JUNIOR BROWN! Junior Brown & the lovely Tanya Rae will be here most Sundays from now to eternity (or he gets tired of doing it!) In Junior's hands, the guit-steel is an amazing tool, a means to creating some of the hottest, most heartfelt playing heard in years (and in a town like Austin, that's saying something). His talents have led major magazines like Musician to herald Junior as a genius. Life magazine honored him as the only contemporary musician included in their "All Time Country Band," and Guitar Player magazine's 1994 "Best of..." listings made him their #1 lap steel player, #2 Country Artist, and #3 country album (Guit With It). Instrumentalist is only one of the hats the 43-year-old is comfortable wearing – along with singer, songwriter, and producer – and he is equally adept and impressive in each role, having turned professional as a teenager in the late 60's. "Junior and Tanya Rae decided to seek out the best environment for their musical vision. The place was Austin, Texas, where the lines between various musical styles and genres have always been a bit blurry. They set up shop at the legendary Continental Club, where slowly but surely their appearances there got people talking." Now after several years of living in Oklahoma they've returned to us! With the addition of the Junior Brown early show, Sundays have become one of our most action-packed, music-filled days of the week. Occasional afternoon benefits will still be scheduled that may take the place of the Early Show. *Except 8/29 when Junior & Tanya Rae will be gone. They return on 9/5 for every Sunday in September (and probably for the rest of the year).
Video Links:
Junior Brown

Sunday nights (10 years and going strong) @ 10. $8 - Heybale! featuring Redd Volkaert (Merle Haggard) & Earl Poole Ball (Johnny Cash) is Austin's best & most popular country supergroup! The lineup includes singer, songwriter, guitarist Gary Claxton, upright bass player Kevin Smith (Dwight Yoakam, High Noon) and drummer Tom Lewis (Raul Malo, Jim Lauderdale). It's all Heybale!, all night, and still a bargain at $8!
"When country music was 'discovered' to be more popular than rock and a host of other genres in the 90s it seemed to prompt Nashville and elsewhere to aim to be everything for everyone. To some extent they succeeded, but they gave up something in the process, and if you want to get a taste of what that something is here it is. I love these songs, and the way these guys play them and write them it's obvious they do too. I've seen them a number of times at the Continental and the audience is madeup of a crazy mixture of hipsters, drunks, punks dancing with sexy grandmas and a smattering of Austin's best musicians. The music transcends a lot of the usual barriers. Whether of not you went to church you can still get alittle bit of heaven on a Sunday night." ~David Byrne, Talking Heads.
Video Links:
Heybale!

Monday nights @ 10. $5 - Dale Watson & his Lone Stars are in the business of making music on stage for their fans on the dance floor. You never know who's going to show up & end up on stage with Dale... James Intveld, Chris Wall, Ian Moore, Gordie "Grady" Johnson, Alan Haynes, Tommy Mack, Monday night bartender Hilary York, a fiddle player from Scotland, a harmonica player from Spain... who knows. This just might be the best $5 you'll ever spend on a Monday night. Dale will be here for every Monday in September.
8/30: We had previously announced that Dale would be gone & Weldon Henson would fill in on this date - turns out DALE WILL BE HERE.
Video Links:
Dale Watson & his Lone Stars
Weldon Henson

Tuesday night 8/10: 10:30. $5? - Wisebird returns to the midnight spot for the rest of August & September! Wisebird plays authentic, soulful rock-- thick with heavy, swampy rhythm and groove. The stuff that comes from the gut. Although these are intelligent guys playing well-crafted music, it isn't over-thought. It may even be described as 'brilliantly obvious', as in you don't need to think too hard to figure it out. This is a good thing. Their music-- like their powerful live performances-- is fresh, vibrant and new, yet it is still somehow familiar. "One could lazily say they sound like The Allman Brothers but more accurately they're the children of Leon Russell and Freddie King, real blues and blood soaked bar rooms surfacing in their heavy notes." ~Dennis Cook, Senior Editor, Jambase. Opening acts will be:
8/31: Soul Funk outfit Bruce James Soultet
9/7: Mudphonic plays blues, funk & southern rock
9/14: Graham Wilkinson brings his mix of ska to folk, honky-tonk to rock
9/21: TBA
9/28: Southern rock, soul, and crunk from Uncle Lucius.

Video Links:
Wisebird
Bruce James Soultet
Mudphonic
Graham Wilkinson
Uncle Lucius

Wednesday nights @ 10:30, 12:00. $8 - "Church services" with Jon Dee Graham & The Fighting Cocks bring Americana/rock/alt country to the 10:30 spot on Wednesday nights. The true believers follow religiously. James McMurtry & The Heartless Bastards are also here every Wednesday that they're not on the road or in the studio. Both of these songwriters produce literate, intelligent, intuitive material. And they run the gamut from touching balladry to raucous rockers. This is one the best "Bang for the Buck" shows we offer!
Video Links:
Jon Dee Graham
James McMurtry

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Best of the Rest

Thursday, August 26, $10 at the door - Brand New Releases From Bobby Bare Jr and Blue Giant!
@ 10:00: Blue Giant, named after the brightest star in the galaxy, is the creation of Kevin and Anita Robinson, better known as Portland, Ore. indie-pop darlings, Viva Voce. The Robinson’s new band features Chris Funk (The Decemberists), Evan Railton (Swords) and Seth Lorinczi (The Golden Bears). Produced by Kevin Robinson, Blue Giant was released on July 13th. On their self-titled debut, Blue Giant combines the traditional sounds of American music – country, bluegrass, and folk with driving, straight-ahead rock. The twelve tracks on the album, written by Kevin and Anita, showcase that versatility from the classic country feel of “Lonely Girl,” to the melodic guitars in “Clean The Clock,” to the mellow, deceptively simple “Gone For Good” which features Sleater-Kinney’s Corin Tucker. "We've delved in so many genres and after all these years of going as far as we could go on the boundaries of music, we've come full circle to where the future of music is where it started: five people in a room together playing songs," says Kevin. The band itself formed exactly that way, as spontaneous late-night recordings with friends turned in to making a full-length record. “We just finished building our studio and the first thing we wanted to do was invite friends over and play music. The chemistry was immediate so we just said, ‘Let’s go with this,’” says Anita.
@ 11:30: Bobby Bare Jr officially releases his latest CD, A Storm - A Tree - My Mothers Head, on August 31! Bare is the son of country musician Bobby Bare. In 1974 — when Bare Jr. was only eight — they were both nominated for a Grammy for the song "Daddy What If." "With a big-as-the-room persona, an ability to rock the doors off the most jaded of clubs, the heart to hold a room completely still with just his guitar, and a genius for arrangement, Bobby Bare, Jr. and his band of merry makers are one of the most unique bands around. They are adept at abandoning common sense in favor of laying themselves at the feet of a rambunctious, freewheeling, and unfettered and unhinged muse. In the late 90’s, he fronted the boss hog rock band, Bare Jr. With their two records, Boo-tay and Brainwasher, they memorably rocked out on a Nirvana-on-Skynryd-not-Sabbath groove, more indebted to the homebrew than 'The Other H.' These days he keeps himself even busier by appearing on albums by indie rock heroes like the Silver Jews and Frank Black and My Morning Jacket. Few that we have found can combine humor, pain, and anger in such an effortlessly well-crafted manner. If encountered in public, beware: Bobby is a big, gregarious, good-natured fellow who will giddily talk music (from the Smiths to Roger Miller to Metallica to Dolly Parton—sometimes in one breath) until the bartender is tossing you both out." ~Upstate Link.
Austin Chronicle Recommended!
Video Links:
Bobby Bare Jr.
Blue Giant

Friday, August 27, $10 at the door - Get Ready For A Country-Style Friday Night!
@ 10:00: Stone River Boys. Guitarist Dave Gonzalez and singer-songwriter Chris Gaffney were the mainstays in the Hacienda Brothers, acclaimed for their mix of traditional country and old-school soul. After Gaffney succumbed to cancer in 2008, Gonzalez found Mike Barfield, Austin's self-proclaimed "Tyrant of Texas Funk." As the Stone River Boys, the two traffic in 'country funk.' It's a natural extension of what the Haciendas accomplished, a little harder-edged .." ~Jim Caligiuri, Austin Chronicle. "Love on the Dial....straddles the line between country and rock with a side order of funk and blues. It is packed with wall of sound instrumentals and tight groves that make it an enjoyable listen." ~Stormy Lewis, RoughStock.com.
@ 12:00: Eleven Hundred Springs
plays real country music. With songwriting hooks Hank Williams himself would be proud of and a band as tight as Buck Owens’ Buckaroos to back them up, it’s no wonder the dance floors stay packed at their shows. It could be said that the band’s influences such as Hank Thompson blended Western Swing with Honky Tonk, and Waylon Jennings blended country with Rock. Eleven Hundred Springs does all of the above, in a way that is current and relevant in today’s music sceen. Without a doubt, live performance is this band’s specialty. Since the band’s inception, it has maintained a tour schedule of 150 plus dates a year all over the USA and Europe. Whether listening to their recordings or watching on of their many live performances, Eleven Hundred Springs does not disappoint. With a fan base from coast to coast whose age ranges from eight to eighty, it’s easy to see why these boys have made a name for themselves as some of the best in the business.
Video Links:
Eleven Hundred Springs
Stone River Boys

Saturday, August 28, $12 at the door - Say 'Welcome Home' To The Mother Truckers, And "Welcome Back" To The Royal Butchers!
@ 10:00: Royal Butchers. "Thee Royal Butchers Of Poontang Junction is a Texas dance band with wide appeal among the insane and feebleminded. They take only the most wrongheaded aspects of a hillbilly bop engine and fix it to the dismantled chassis of 60s garage, which ends up as something that let's just say, bangs and scrapes and makes a lot of noise when it rolls down the street." In case I haven't told you this yet, Royal Butchers are one of my personal faves. Or maybe I tell you that everytime they play. Oh. I guess I do tell you that every time they play. No matter, they RULE!
@ 11:30:
The Mother Truckers are a kick-ass rock 'n' roll band from Austin, Texas! Their music is high-octane Americana, blending elements of Country and Blues with loud guitars, big choruses and powerhouse vocals. Their creative songwriting and high energy live performances lift you up to a place that’s somewhere between a honky-tonk and a mosh-pit! The core of the group is the singing songwriting team of Josh Zee and Teal Collins. Josh and Teal formed the Mother Truckers in the San Francisco Bay Area in 2002 after meeting at a local open mic night. The band recorded several self-released albums including fan favorite Something Worth Dying For. n 2005, Josh and Teal moved their music to Texas, and set up shop in Austin. There, they met local music scene veterans, Danny G (Bass) and Pete The Beat (Drums) who form The Mother Truckers powerhouse rhythm section. In 2007 they recorded their album "Broke, Not Broken" (Funzalo Records) at Ray Benson’s Bismeaux Studios in South Austin. The album was met with critical acclaim and received airplay nationwide. The Austin American Statesman's Michael Corcoran placed the album on his top 10 list of the year as did the Village Voice's Chuck Eddy. At SXSW The Austin Music Awards named The Mother Truckers "Best Roots Rock Band Of The Year". In 2008, The Mother Truckers released “Let’s All Go To Bed” (Funzalo Records) which was responded to immediately by the fans, the press, and multiple XM/Sirius satellite stations, Including “Little Steven’s Underground Garage” where the Truckers’ single “Streets of Atlanta” was picked as one of the “Coolest Songs in The World” . They also had many TV and film placements including HBO’s “True Blood” Series, feature film “Touching Home” with Ed Harris, and feature film “Wake” with Jane Seymour. Now, in 2010, the band has a brand-new album Van Tour. An instant classic of in-your-face, touring band, rock and roll imagination! Once again, Michael Corcoran from The Austin American Statesman has responded with high praise, "... The Mother Truckers have penned an instant pop classic with ‘Keep It Simple’ from their new Van Tour CD. The Tune, featuring Teal Collins’ sensational soaring vocals, has a nostalgic top 40 radio feel. Zee and Collins are probably the most talented guitarist/vocals tandem in Austin".
Austin360.com Weekend Pick!
Video Links:
Mother Truckers
Royal Butchers

Thursday, September 2, $7 at the door - It's a Rockin' Thursday!
@ 10:00: Shapes Have Fangs might bring back flashbacks of the British invasion of the early '60s. Yet this Austin-based quartet -- brothers Skyler and Evan McGlothlin, Dustin Coffey and Josh Willis -- doesn't appear to have any DNA in common with the Queen Mother." ~Kelly Rose, SXSW 2010. "Shapes Have Fangs wax down the poppier side of 1960s psych." ~Audra Schroeder, Austin Chronicle.
@ 12:30: Amplified Heat. "The Ortiz brothers, Jim, Chris and Gian, have been jamming together since they were kids with pretend guitars and stuck it through with real guitars in their hands, perfecting their sound and look with classic rock worksmanship." ~Carl Atiya Swanson. "Three Colombian brothers with roots in California and Houston have been burning up the Austin blues-rock/hard-rock scene for a decade. Not everyone in town has heard of them, but those of us who have know what a face-melting and skull-jarring experience an Amplified Heat show can be." ~Ajay Miranda, AustinVida.com.
Video Links:
Amplified Heat
Shapes Have Fangs

Friday, September 3, $? at the door - Alejandro Escovedo Returns!
@ 9:30: Eve & The Exiles. Led by drummer Mike Buck and guitar slinger / singer Eve Monsees, Eve and the Exiles formed in 2002. With original members Grady Pinkerton (guitar) and Speedy Sparks (bass) the band cut their self-titled, debut album in 2004 at Fort Horton Studios which was released on the independent Serpent label. After reforming the band with Pat Collins on bass (LeRoi Brothers), Homer Henderson on guitar and vocals and Donna Pearl on maracas and vocals (Naughty Ones, Homer Henderson), Eve and the Exiles have just released a new CD entitled "Blow Your Mind." Recorded on 2" tape at the Sweat Box, the new album jumps out of the speakers in all its garage rock glory.

@ 10:45:
David Garza infuses rock and pop with a Latin feel and whose vocal style draws comparisons to Freddie Mercury, Jeff Buckley, Donovan and Robert Plant. "Over the nearly 20 years Davíd Garza has been on Austin's musical radar, he's morphed from the charismatic leader of the onomatopoeic Twang Twang Shock-a-Boom to a solo alt-rocker looking to shred eardrums (and panties). He's both mellowed artistically and retained his sensuous ear." ~Melanie Haupt, Austin Chronicle 2006. "Davíd is one of the great unknown singer-songwriters out there," ~Jeff Ament, Pearl Jam.
@ 12:20:
Alejandro Escovedo & The Sensitive Boys are getting their due with glowing reviews, tremendous fan loyalty, and an abundance of peer recognition and admiration. We're very happy to welcome our old friends back home for a Friday night show! "There are songwriters who sing their songs, and then there are songs who sing their writers. Alejandro Escovedo is one with his muse and his music. Over a lifetime spent traversing the bridge between words and melody, he has ranged over an emotional depth that embraces all forms of genre and presentation, a resolute voice that weathers the emotional terrain of our lives, its celebrations and despairs, landmines and blindsides and upheavals and beckoning distractions, in search for ultimate release and the healing truth of honesty. Sometimes it takes the form of barely contained rage, the rock of punk amid kneeled feedback; sometimes it caresses and soothes, a whispery harmony riding the air of a nightclub room, removed from amplification, within the audience. His rise has been gradual, a steady incline rather than a quick ascendance, but it has deepened and burnished his music, made it closer to the bone, where it begins to break, deepening his insight and his ability to find that insight in performance. His tireless touring, and dogged determination to place one album after another, has taken him through many musical scenes, remaining the same persona within each, of an artist who doesn’t settle for the easy way out." ~Lenny Kaye.
Video Links:
Alejandro Escovedo
David Garza
Eve & The Exiles

Saturday, September 4, $10 at the door - Eclectic and Electric - Gypsy Rock to Gypsy Swing!
@ 10:00: The Inheritance
is an Eastern European-influenced folk band with a healthy splash of gypsy rock thrown in for good measure. Members are: Amanda Kitchens- Accordion/vocals; Bruce Salmon- Guitar/brass/vocals; Michelle Alany- Violin/ vocals; Roy Coon- clarinet/vocals; Pete Murray- upright bass/vocal. We're hoping that Bruce will be back from Florida in time for the show, but in case he's not... the show will go on.
@ 12:00: White Ghost Shivers. "Seen the White Ghost Shivers? If you have, you probably remember. Visually, they're one of Austin's most unmistakable bands. 'You have a seven-foot guy with a ukulele and a short guy with a stand-up bass. And then there's a saucy woman up front. I think it helps,' band member Shorty said. Live and on record, The White Ghost Shivers play an amalgam inspired by 1920's Hot Jazz, Jugband Blues, Western Swing, gypsy swing and ragtime. Like the Asylum Street Spankers did before them, it's earned them a diverse audience. At their shows, it's not unusual to see old folks and young punks dancing side-by-side." ~Andy Langer, News8Austin. "The White Ghost Shivers... hands-down, the best live concert I’ve ever seen. Period. The Shivers are a seven-piece band, with an accordion, upright bass, banjo, trumpet, clarinet, violin, guitar.  The music is an insane collision of ragtime, jazz, swing, bluegrass, cabaret, vaudeville, burlesque, Hostess Twinkie, caffeine and Tilt-a-Whirl.  It’s about twenty different kinds of infectious... Just as enjoyable as the music is the stage show.  It’s rare to see a band with such stage presence.  The Shivers have been playing together for a long time, and it shows; they enjoy themselves on stage, and go to great lengths to make sure the audience has fun as well." ~Emmy, Elepent.com.
Video Links:
White Ghost Shivers
The Inheritance

***

Coming.... Sunday 9/5: Heybale! w/Redd & Earl @ 10pm, $8; Early Show: Junior Brown & the lovely Tanya Rae @7pm, $15.... Monday 9/6: TBA @10pm, $5; HH: Continental Graffiti @6:30, no cover... Tuesday 9/7: Wisebird, Mudphonic @10:30pm, $5; Happy Hour: Toni Price @ 6:30, $7.... Wednesday 9/8: James McMurtry, Jon Dee Graham @ 10:30pm, $8; Happy Hour: Hot Club of Cowtown @6:30, $5... Thursday 9/9: Deadman, The Preservation @10, $7; Happy Hour: Planet Casper @ 6:30pm, $5.... Friday 9/10: *Deke Dickerson*, *Lynda Kay*, *Kenneth Brian* @ 10, $10; Happy Hour: The Blues Specialists @ 6:30pm, no cover... Saturday 9/11: Nick 13 (from Tiger Army) @ 10pm, $10; Matinee: TBA @ 3pm, no cover..... Sunday 9/12: Heybale! w/Redd & Earl @ 10pm, $8; Early Show: Junior Brown & the lovely Tanya Rae @7pm, $15.... Monday 9/13: TBA @10pm, $5; HH: Continental Graffiti @6:30, no cover... Tuesday 9/14: Wisebird, Graham Wilkinson @ 10:30pm, $5; Happy Hour: Toni Price @ 6:30, $7.... Wednesday 9/15: James McMurtry, Jon Dee Graham @ 10:30pm, $8; Happy Hour: Hot Club of Cowtown @6:30, $5... Thursday 9/16: Honky, Chris Gates & Gatesville release party, Back Porch Mary @10, $7; Happy Hour: Planet Casper @ 6:30pm, $5.... Friday 9/17: LeRoi Brothers, Guy Forsyth @ 10pm, $10; Happy Hour: The Blues Specialists @ 6:30pm, no cover... Saturday 9/18: Woodsboss, Leo Rondeau, Possessed by Paul James, Crooks @ 10pm, $10; Matinee: Redd Volkaert @ 3pm, no cover..... Sunday 9/19: Heybale! w/Redd & Earl @ 10pm, $8; Early Show: Junior Brown & the lovely Tanya Rae @7pm, $15

***

August Birthdays

Bradley Kopp, Mark Hallman, Ivy Brom (1), "Big" Walter Price, Larry Vanston (2), Randy Weeks, Tony Redman, Andy Haynes, Heather Kinley, Laura Durham (3), Graham Wilkinson, Savannah Welch (4), Marshall Hood, Alyssa Archambault (5), Cory Moore, Pat MacDonald, Gaynielle Neville, Kellie Jo Gonzalez [The Original Ruby Rockit], Sarah Slattery (6), B.J. Thomas, Denny Freeman, Raoul Hernandez, Noska Chickatello, Tracy Brown (7), Tony Villanueva, Ian Moore, Susan Voelz, Kym Olson (8), *Robert Shaw (9), Jimmy Dean, *Alfred "Snuff" Johnson, BB Morse, Billy Block, Will Sexton, Doug Strahan (10), *Ronnie Dawson, Charlie Sexton, Jackie Bristow, Brennen Leigh (11), *Buck Owens, Johnny Reno, Doak Short (12), *Bobby Doyle, Mike Flanigin, Larry England (14), Gary Claxton, Lyman Hardy, Justin Collins, Rick Heysquierdo, Diane Clegg (15), Billy Joe Shaver, *Champ Hood, Robin Rather (16), Eric Johnson, Kevin Welch, Cherry Chainsaw, Kathleen Smith (17), Mark Rubin, Rona Mayer (18), Lois Richwine, Irene Triola Shaver, Shuichi Iwami (19), Don Leady, Robert Williams [Big Sandy] (20), Kenny Rogers, Matt McCormack (21), Dale Hawkins, Corey Keller, Mark Patterson, Cavan Carruth, Ben Sherman (22), Rob Villarreal [Rob's Chop Shop], Susan Adams (23), Mason Williams, Eliza Gilkyson, Bob Futey (24), Rich Brotherton (25), Brannen Temple (26), Charlene Hancock, Yolanda Adams, Sharon Lindsay, Chris Matic (27), Conrad Choucroun, Django Walker, Gary Belvedere (28), Shelley King (30), Scott Rylander (31), Happy 22th Anniversary to HIGH NOON, the rockabilly trio!

August Memorials (date of death)

8/2: Billy Lee Riley (2009); 8/13: Les Paul (2009); 8/15: Erbie Bowser (1995), Ural DeWitty (1995), Jim Dickinson (2009); 8/16: Elvis Presley (1977); 8/20: Danny Roy Young (2008); 8/27: Stevie Ray Vaughan (1990)

September Birthdays

*Boxcar Willie, Archie Bell, Charlie Robison, Chris Rhoades, *Virginia Scott (1), Susan Bollinger (2), Hank Thompson, *Freddie King (3), Jody Bilyeu, Ashley Overton (4), Bill Campbell, Dave Pipkin, Bucket (5), David Allan Coe, Gary Myrick, Rhett Miller, Karen Peters, Matteo Bosisio (6), *Buddy Holly (7), *Jimmie Rodgers, Guitar Shorty, Michelle Vignault, Anna Keyah (8), Sharon Lohse (9), Rosie Flores, Miles Zuniga, Mark Guerra (10), Roger Wallace, Hosea Hargrove (11), *Kenneth Threadgill, George Jones, *Barry White, Christine Albert, Steve Reynolds, Jennifer Hoskins, Shontae Moeller, Michael Lahrman (12), *Marchel Ivery, Bill Small (13), *Hank Williams, *Don Walser (14), Beaver Nelson, Stephanie Nelson, Karen Salter, Becky Gernand, Giorgio Angelini, Bryan Hibler (15), Terry McBride, Andrew Duplantis, Paul Minor, Eric C. Hughes, Will Indian (16), *Hank Williams, Tracy Anne Hart (17), Lance Armstrong, Tricia Gernand (18), Corri Mava (20), Bobby Snell, Gary Newcomb (21), Chris Gunn (22), John Avery Lomax, Alan Durham (23), Andi Taylor (24), Carrie Weld Grimes, Griff Luneberg (25), Chris Miller, Mike Whitely (26), Meat Loaf, Alex Napier (27), Paul Skelton, Tomas Ramirez (28), *Joe "Guitar" Hughes, Alvin Crow, Betsy Moore (29), Johnny Mathis, Gibby Haynes, Noelle DeBruhl, Anthony Bice (30)

September Memorials (date of death)

9/1: Vanessa Alvarez (2006); 9/11: Remember the Heroes of 9/11 in NYC, PA & Washington DC (2001); 9/12: Johnny Cash (2003); 9/13: Ann Richards, former Governor of Texas (2006); 9/19: Toby Solomon; 9/20: Don Walser (2006)

Birthday Legend: * = deceased; italic = Continental Club staff (past & present)

***

Notable Obituaries - August 2010

George David Weiss - b. April 9, 1921 (New York City, NY) * d. August 23, 2010 (Oldwick, NJ)

George David Weiss, Writer of Hit Pop Songs, Dies at 89

By Margalit Fox

George David Weiss, a songwriter who had a hand in some of the biggest hits of midcentury pop music, recorded by some of the biggest stars, died on Monday at his home in Oldwick, N.J. He was 89.

The death was of natural causes, his wife, Claire, said.

Among his most famous numbers were Can’t Help Falling in Love, recorded by Elvis Presley; The Lion Sleeps Tonight recorded by the Tokens; and What a Wonderful World, recorded by Louis Armstrong.

“Can’t Help Falling in Love,” introduced in Presley’s 1961 film “Blue Hawaii,” was a million-seller. It has words and music by Mr. Weiss, Hugo Peretti and Luigi Creatore.

“The Lion Sleeps Tonight” (1961), based on a South African Zulu song first recorded in the 1930s, was given a reworked melody and new lyrics (“In the jungle, the mighty jungle/The lion sleeps tonight”) by Mr. Weiss, Mr. Peretti and Mr. Creatore.

Their adaptation, which kept the refrain — “Wimoweh, wimoweh” — popularized in a 1950s version by the Weavers, became a million-selling hit for the Tokens. Widely recorded since, the song has been used in many motion pictures, including “The Lion King” (1994).

“What a Wonderful World” (1967), with words and music by Mr. Weiss and Bob Thiele, came to renewed attention after Armstrong’s recording of it was featured on the soundtrack of the 1987 film “Good Morning, Vietnam.” The Armstrong version has since become a contemporary standard.

Mr. Weiss’s other standards include “Lullaby of Birdland” (1952), the vocal version of George Shearing’s jazz standard, and many songs with his frequent collaborator Bennie Benjamin, among them “Surrender” (1946), recorded by Perry Como; “Confess” (1948), recorded by Patti Page; and “Wheel of Fortune” (1952), recorded by Kay Starr.

He collaborated on several Broadway musicals, the best known of which is “Mr. Wonderful” (1956), starring Sammy Davis Jr., for which Mr. Weiss contributed original music and lyrics with Jerry Bock and Larry Holofcener.

His other Broadway credits include “First Impressions” (1959), an adaptation of Jane Austen’s “Pride and Prejudice” starring Polly Bergen, Hermione Gingold and Farley Granger, for which Mr. Weiss wrote music and lyrics with Robert Goldman and Glenn Paxton; and “Maggie Flynn” (1968), starring Shirley Jones and Jack Cassidy, with book, music and lyrics by Mr. Weiss, Mr. Peretti and Mr. Creatore.

Mr. Weiss was inducted into the Songwriters Hall of Fame in 1984. As president of the Songwriters Guild of America from 1982 to 2000, he spoke widely about copyright issues and testified before government bodies.

George David Weiss was born in Manhattan on April 9, 1921. He wanted to be a musician. His mother wanted him to be a lawyer. The ensuing emotional battle, he later said, drove him to consult a doctor.

As Mr. Weiss recounted in a 1995 interview with The Miami Herald, the prescription was simple. The doctor asked: “Mrs. Weiss, what would you rather have? A live bum of a musician or a dead lawyer?”

Mr. Weiss, who played the violin, piano, saxophone and clarinet, earned a bachelor’s degree in music theory from the Juilliard School and afterward served as a military bandleader in World War II before beginning his songwriting career.

Mr. Weiss’s first marriage, to Bea Foster, ended in divorce, as did his second, to Rosalyn Marks. In addition to his wife, the former Claire Nicholson, whom he married in 1976, he is survived by a sister, Harriet Harbus; two sons, Barry and Jeffrey, and a daughter, Peggy Self, from his first marriage; a son, Robert, from his second marriage; and eight grandchildren.

In an interview with The Santa Fe New Mexican in 1995, Mr. Weiss described the making of one of his early hits, “Oh! What It Seemed to Be” (1946), written with Mr. Benjamin and Frankie Carle.

After finding a publisher for the song, the writers went in search of a singer. They called on Frank Sinatra, and a nervous young Mr. Weiss played it through for him.

“Before I had finished it Sinatra was on the phone calling the record company and telling them he just heard a great song and wanted to record it,” Mr. Weiss recalled. “You can imagine what happened to me — I froze at the piano. I just kept playing. See, the publisher had told me that no matter what happens, I should keep playing to make sure the tune got into their heads.”

He continued: “So everyone sat down and discussed horses and women and gossip for a half hour or so, and I’m still playing that song at the piano. Finally, the publisher comes over to me, lifts me up under the armpits and says, ‘Say goodbye to Frank.’ I said goodbye and they led me out like a zombie.”

***

Estaban "Steve" Jordan - b. February 23, 1939 (Elsa, TX) * d. August 13, 2010 (San Antonio, TX)

Accordian legand Esteban Jordan dies
By Michael Corcoran, Austin Music Source, Austin360.com

Steve "Esteban" Jordan was his own worse enemy and the squeezebox's best friend. The iconoclastic conjunto pioneer, called "the Jimi Hendrix of the accordion" after he introduced psychedelic phase shifters to an instrument aligned with polka music, passed away Friday in San Antonio due to complications of liver cancer. He was 71.

Austin fans got a chance to pay tribute to the mercurial musician in August 2008 when a benefit was held at the H&H Ballroom. Such friends and fans as Little Joe Hernandez, Rudy T. Gonzales, Dimas Garza, the Texmaniacs and Larry Lange and His Lonely Knights performed that day, but the proud Jordan wasn't going to let anybody steal his show. Expected to make just a token appearance, the frail "El Parche" and his Rio Jordan band of three sons played nearly an hour.

Azeneth Dominguez, who owns Salute International Bar, told the San Antonio Express-News that Jordan went into a coma Thursday. "It was his time," Dominguez said. "He looked so peaceful at the end."

Blinded in one eye as an infant, the eye-patch-wearing Jordan expressed bitterness throughout his career at not being accepted by the masses. But he made it that way by playing jazz on the accordion when the majority of fans wanted to hear more mainstream Tejano sounds. For the past 20 years, Jordan worked on an album of heavily-layered music that was never released, refusing to put it out on a label. "I don't give a damn about the audience," he said in a 2001 interview. "I could be playing for five people or 5,000 - it doesn't make a difference. I'm still gonna kick ass. And if you ain't gonna play because there's nobody there, then get the (heck) out of my band."

In that June 2001 profile in the American Statesman (headline: "Steve Jordan doesn't care if you read this article"), Jordan said, "society can't touch me, man. I never went to school, never been trained how to act. I'm an animal, bro. I'm not afraid to die. I've already been dead." He then lifted his shirt to show a scar that ran from his navel to just below his breast plate. "Getting stabbed really turned me around," he said of the 1973 parking lot assault outside a bar in Roswell, N.M.. "I realized that it was time to stop (messing) around and just get down all the sounds in my head. Don't hold back, because life is short."

Born in the Rio Grande Valley town of Elsa in 1938, Jordan was the smallest and sickliest of 15 children born to migrant worker parents. But he could play every instrument he got his little hands around. First was the harmonica, then a guitar. One night in a labor camp outside Lubbock, a 7-year-old Jordan was playing guitar and heard a sweet accordion sound coming from the lean-to next door. "I stuck my head out and he stuck his head out and we decided to play together." he said. And that's how Jordan met a teen-aged Valerio Longoria, who would go on to join Santiago Jimenez Sr. (Flaco's dad) and Narciso Martinez in the holy trinity of conjunto accordionistas. As a teenager in the early '50s, Jordan saw a demand for dance bands, so he pulled our brothers out of the fields and taught each one their instruments.

In 1958, Jordan settled in San Jose, Calif., and married singer Virginia Martinez, who would join him on vocals on several regional hits in the traditional ranchera and polka styles. But Jordan's hard-partying lifestyle led to a split. "The first 10 years we were together, Steve never had a drink, never smoked, never did drugs," Martinez said in 2001. "That's not the same man you'll find now. But his talent lets him get away with it."

For years Jordan had been retuning his accordions to go beyond the standard three-key range, but when he perfected his double echoplex effect, he took conjunto music, which peaked in popularity in Texas in the '40s and '50s, to a new level.

The "invisible genius of Texas accordion music" he was called by New York Times jazz critic Ben Ratliff in 1992. "He invented this whole new style and influenced just about every accordion player going today," said Austin's Ponty Bone, who was first knocked out by "El Parche" ("the Patch") in the late '60s. Jordan had just left Willie Bobo's band, where his guitar-playing impressed Carlos Santana, and got back into the accordion fulltime.

One of Jordan's proudest moments was when he was invited to visit the Hohner factory in West Germany to pick up his custom-made "Tex Mex Rockordeon" 20 years ago. According to Jordan's specifications, the buttons were almost flat, which allowed for faster finger action. "I played for all the assembly line workers, and you could see their jaws drop," he said in 2001. "I showed 'em what they were making."

Funeral details are pending at Castillo Funeral Home in San Antonio.

###

One of my most memorable musical experiances of my life was back in the mid-90’s during a West Coast tour that we had organized for Steve. For one his Los Angeles gigs, Steve’s son Stevie Jr. arranged for his mother, Virginia Rodriguez, to fly in from Arizona to see the show. She had not seen Steve in years and they had not peformed together for decades. Once the show was over, and the audience had cleared out of the club, the handful of us who remained were all lucky to be treated to an impromptu accoustic concert. Esteban on accordion, Stevie, Jr. on vihuela and Virginia’s heavenly voice singing “La Tracionera”, “Siempre Hace Frio” and other early tejano classics that they had recorded together in the late 50’s. Amazing. Steve was a true Texas music legend if ever there was one - the likes that we will never see again. Vaya con dios, mi amigo. ~David Gaar

***

Richie Hayward - b. February 6, 1946 (Clear Lake, IA)* d. August 12, 2010 (Victoria, British Columbia, Canada)

Richie Hayward, Little Feat co-founder, has died; Drummer was 64; lived in Canada in his final years

The Associated Press

Richie Hayward, co-founder of the Little Feat, an eclectic jamband that maintained a strong cult following throughout the decades, has died. He was 64.

The drummer had been suffering from liver cancer and died Thursday at a hospital in Victoria, B.C., after complications of pneumonia, his publicist, Bridget Nolan, confirmed Friday.

“He was waiting for a liver transplant,” said Nolan. Over the past year, benefits had been staged on Hayward's behalf; he had no health insurance.

Hayward had performed as recently as July in British Columbia, making a surprise appearance at Musicfest in Comox Valley, where he lived.

In a letter to fans last August, Hayward wrote about his predicament, but sounded hopeful: “My intent is to come back to the band, as soon as I am physically able. Your love and support will mean a lot to me, more than I can say. I love and will miss you all, and I will see you again on the proud highway.”

He last performed with the band on July 11.

Hayward helped form Little Feat in 1969, along with frontman Lowell George, Bill Payne and Roy Estrada. The band mixed a variety of genres including rock, country, jazz and blues, and were known for songs like “Willin.” The group fell apart in 1979 after George died, but reformed in 1987, and had been a fixture on the touring circuit.

Besides his work with Little Feat, Hayward also performed with acts including Eric Clapton, Robert Plant, Buddy Guy and Barbra Streisand.

***

Phelps "Catfish" Collins - b. 1944 (Cincinnati, OH) * d. August 6, 2010 (Cincinnati, OH)

R&B guitarist Phelps "Catfish" Collins dead at 66

By Gary Graff

DETROIT (Billboard) – R&B guitarist Phelps "Catfish" Collins, a veteran of James Brown's J.B.'s, Parliament-Funkadelic and his younger brother William "Bootsy" Collins' Rubber Band, died of cancer last Friday at his home in Cincinnati. He as 66.

Bootsy Collins said in a statement that "my world will never be the same ... Be happy for him, he certainly is now and always has been the happiest young fellow I ever met on this planet."

Bootsy's wife, Patti Collins, told the Cincinnati Enquirer that Catfish "was a father figure to my husband. He's the reason why Bootsy is who he is."

Catfish, eight years Bootsy's senior, suggested his brother put bass strings on an old guitar. After being recruited by James Brown, they played on such classics as "Get Up (I Feel Like Being a) Sex Machine," "Give It Up or Turnit a Loose," "Super Bad" and "Soul Power."

By 1971 they had left Brown's employ, going on to form the House Guests and then joining Funkadelic in 1972 for albums such as "America Eats Its Young"
and "Cosmic Slop." Catfish remained with the group -- which also lost guitarist Garry Shider to cancer in June -- until the mid-'80s.

"(Catfish) was a hell of a musician," keyboardist Bernie Worrell, who played with the guitarist in Funkadelic, told the Enquirer. "People seem to forget that the rhythm guitar behind James Brown was Catfish's creative genius, and that was the rhythm besides Bootsy's bass."

George Clinton alumnus Dumine DePorres seconded that notion, telling Billboard.com that Catfish's particular niche was playing "the subliminal stuff, those inferred parts that you might not be able to hear right out front but without it there's a big hole. It's like the glue that holds the glue together."

After Funkadelic, Catfish went on to play in Bootsy's Rubber Band and also recorded with Deee-Lite, Freekbass and H-Bomb. In 2007 he reunited with Bootsy, Worrell, Clyde Stubblefield and others for the soundtrack to the Judd Apatow comedy "Superbad." A number of Cincinnati musicians gathered to play a tribute show for Catfish during July at a club in Roselawn, Ohio.

Funeral arrangements have not been announced for Catfish, who had two children.

***

Robert "Bobby" Von Hebb - b. July 26, 1938 (Nashville, TN) * d. August 3, 2010 (Nashville, TN)

Bobby Hebb, singer of '66 hit "Sunny," dies at 72

The Associated Press

NASHVILLE, Tenn. — Bobby Hebb, whose 1966 pop music classic "Sunny" described a sincere smile from a woman that lifted the singer's burdens, died Tuesday. He was 72.

Family members and a funeral home spokeswoman said Hebb died at Centennial Medical Center. Friends said he had lung cancer.

"Sunny" also was recorded by many other singers, including Marvin Gaye, Wilson Pickett and Jose Feliciano. The song's key lines: "Sunny, yesterday my life was filled with rain. Sunny, you smiled at me and really eased the pain. The dark days are gone and the bright days are here. My sunny one shines so sincere. Sunny one so true, I love you." Hebb had said in several interviews that he wrote "Sunny" in response to the slaying of his brother outside a Nashville nightclub and to the assassination of President John F. Kennedy a few days before.

On his 69th birthday in 2007, he recalled that he was living and performing in New York City at the time he wrote the song. "I was intoxicated," Hebb told The Associated Press. "I came home and started playing the guitar. I looked up and saw what looked like a purple sky. I started writing because I'd never seen that before." He included the song in his act at a bar called Brandy's and the audience liked it. After a Japanese artist had a hit with the song in Asia and vibraphone player Dave Pike recorded it in the United States, Hebb recorded the vocal at Bell Sound in New York. At the height of "Sunny" popularity, Hebb toured with the Beatles.

In a 2004 interview with The Tennessean newspaper, Hebb recalled that all four Beatles were nice. "John (Lennon) and George (Harrison) were very quiet," he said. "But Ringo (Starr) and Paul (McCartney) were more active and easier to get to know. It was just something to be with those cats."

In 1971, Lou Rawls won a Grammy award for "A Natural Man," written by Hebb and Sandy Baron. In 2004, Broadcast Music Incorporated honored Hebb for 6 million airings of "Sunny."

As recently as 2007, Hebb was still writing songs and had his own publishing company and record label, Hebb Cats.

Hebb was born to blind parents and raised in Nashville. He joined the Navy in 1955 where he played the trumpet in a jazz band.

In the 1950s Hebb also played and danced with Roy Acuff's country band, the Smoky Mountain Boys, and became one of the first black musicians to perform on the Grand Ole Opry show in Nashville.

Funeral services were pending. Survivors include a daughter and four sisters.

***

Mitch Jayne b. July 5, 1928 (Hammond, IN)* d. August 2, 2010 (Columbia, MO)

The Dillards' Mitch Jayne passes

Columbia Daily Tribune

Author, musician and humorist Mitch Jayne, 82, died Monday, Aug. 2, 2010, in Columbia. Jayne was the author of five books, a weekly newspaper column published in the rural Ozarks for 20 years, and more than a dozen bluegrass songs recorded by The Dillards. He hosted a radio show in Salem that attracted national attention for its satire, including the “Snake and Tick Market Report,” a regular feature that reported market prices for Hoo-Boy White Dot Crushproof Dry Valley Wonder Ticks and black, copperhead, coachwhip, garter and rattle snakes.

A memorial service is planned for the fall in the Ozarks, the time and place Jayne loved best and never tired of sharing through his stories and music.

Jayne was born July 5, 1928 in Hammond, Ind., the son of Bea and Gus Jayne. After a stint at the University of Missouri, he began teaching in one-room schools in Dent County, where he documented the use of the forgotten words and phrases of Elizabethan English spoken by his pupils.

He once asked a 6-year-old what his father did for a living. “He principally farms,” the youngster told him, “and when he isn’t farming, he sits on the porch and plays the fiddle, just to beguile the time.” One day when a student learned he wanted to see a beaver in the wild, the student told him, “Mr. Jayne, there’s a beaver a ‘workin’ forenent the mill.” When Jayne asked a student to stay after school for some chore, the boy replied, “No, Mr. Jayne, I’d best haste home. Mother don’t sanction us being dilatory.”

Jayne published his recollections of his students’ use of Elizabethan English in 2000 in “Home Grown Stories & Home Fried Lies,” illustrated by his wife, artist Diana Jayne. He lamented the consolidation of one-room schools, comparing it to the influence of TV and radio that brought homogeneity to language and culture, ultimately leading to the demise of the rich old English phrases in their last sanctuary in the remote Ozarks mountains.

In 1962, Jayne befriended talented bluegrass musicians Douglas and Rodney Dillard, who invited him along to seek their musical fortunes in California. Jayne learned to play the bass lying down in the back of their station wagon en route to the West Coast. They played several venues, including the hungry i in San Francisco, where they caught the attention of critics for their hard-driving melding of electrified bluegrass and rock. They were invited to play on “The Andy Griffith Show,” where they appeared regularly as the Darling Family for three years.

Jayne authored many of The Dillard’s best-known works, including “Dooley,” “The Old Home Place” and “The Whole World Round.” The group recorded more than 20 albums from 1963 to 2006, but Jayne’s participation in the group waned in the late 1970s.

While in California, Jayne also published his first books, “The Forest in the Wind” in 1966, and “Old Fish Hawk” in 1973. “Old Fish Hawk,” about an Osage Indian, was made into a movie starring Will Sampson in 1979. Jayne returned to Missouri around 1974 and built a house adjacent to the Marcoot region of the Mark Twain National Forest. One week before Christmas in 1981, a spark from the massive stone chimney of his house caught the handmade shakes of the roof on fire and destroyed his home. Two weeks later, his bluegrass friends held a benefit concert to raise money to rebuild the house, which he moved into in 1983.

His popular radio show, “Hickory Holler Time,” broadcast on KSMO in Salem, featured local news, bluegrass music, “The Snake and Tick Market Report,” and a variety of satirical sketches, including a July Fourth episode in which Thomas Jefferson and George Washington trade foxhounds. He invented a character, Zeke Reeferzottum, who shared folklore such as predicting the severity of winter by looking at “wooly caterpillows. Not their color, their size! I been skinnin’ ’em and tannin’ their hides!” “Mother Mitch’s News” was a spin-off of the “Mother Earth News,” providing practical advice for living off the land, including making your own toilet paper (“perforations can be added with a spur or pizza cutter”) or a sturdy truss out of old shoe tongues and Band-aids.

The radio show — especially “The Snake and Tick Market Report” — had a wide following. A pilot once told Jayne he diverted his plane to fly over Salem so he could entertain passengers as they passed through his air space.

Jayne started a third novel, the yet-to-be-published “Glory Hole War,” a story about Ozarkian saboteurs who take exception to a government plan to dam their spring. He also began writing his weekly column, “Driftwood,” which appeared in several Missouri newspapers and magazines, and went on the lecture circuit to talk about conservation, not just of natural resources, but of culture and history.

In his last decade, he received the official praise that in earlier years might have been the object of his gentle jokes. In 2002, The Dillards reunited to play to a packed audience in Carnegie Hall. In 2009, they were inducted into the Bluegrass Hall of Fame at the Grand Ole Opry.

The publication of his fourth novel, “Fiddler’s Ghost,” in 2007 led to the 2008 Governor’s Humanities Book Award, and it was named one of the 10 best books of the year by the St. Louis Post-Dispatch.

In addition to his wife of 16 years, Diana Jayne, he is survived by a brother, Sears Jayne of Boston; and daughters Carole Jayne of Eminence, and Valerie Jayne of St. Charles.

Family and close friends were with him during his final days of compassionate care at Truman Memorial Veterans’ Hospital, where he entertained and told stories until he was too weak to talk. When asked by a friend how he was doing, he replied, “I don’t know. I’ve never died before.”

***

And there you have it until next week,
Dianne

*****************

The Continental Club Gallery

A Fusion of Art, Funky Jazz and Cocktails

1313A S. Congress Avenue, Austin TX 78704

Two doors up from The Continental Club

http://www.continentalclub.com

http://www.myspace.com/continentalclubgallery

Volume XIV, Issue 3.4 * August 26, 2010

***

"The Continental Gallery’s ambience is strikingly different from most other clubs around town, highlighted by the revolving art displays on the walls and relatively quiet live music. Upstairs from The Continental Club, patrons find more secluded seating areas and a ping-pong table. Unique touches like this one are what make the gallery so exciting." ~DTWeekend.com

***

Dianne's Gallery Dish

Hey, y'all! Ephraim Owens will be on the road with Sheryl Crow until October! Fill-ins are listed below. One of Ephraim's band members & fill-ins, Red Young, will also be on tour for the next couple of weeks with Eric Burdon & The Animals so James Robinson's band, Naked @ 2am will take the Tuesday night spot temporarily. Friday 8/27 @ 8pm (no cover) will be Darden Smith last performance of his theater piece, MARATHON. Dana Wheeler & pianist Eddy Hobizal will return for every other Tuesday, 8-10pm, beginning on September 7.

Keep readin' & rockin'....
Dianne

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Art

Art show openings will take place on the First Thursday of each month at 7pm - doors will open at 6pm - and will run for the entire month. This will be the general rule, although as with everything in this business, there may be exceptions. Art can also be shown during the day by appointment by sending an email to Steve to make arrangements. Check this section regularly for news on current & upcoming shows.

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August art exhibit.... Jon Dee Graham presents his series, "The Bear Had An Unquiet Mind"!

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Coming Thursday 9/2.... Habibi's Hutch Art Opening! Doors open at 6pm, art opening @7pm! This month's exhibit will be original works of art by the children who are students at Habibi's Hutch! I believe the proceeds from sales will benefit the school.
About Habibi's Hutch: Our schoolhouse-hold runs on the belief that children are drawn to experience, to learning, to each other. We see it as our responsibility to create an environment where each child can reach out for life and touch it, wallow in it, tinker with it, interpret it and express it.
From providing materials that inspire curiosity, wonder, manipulation, motion, contemplation and gales of laughter to keeping the house full of adults who are highly intelligent and deeply affectionate, our intentions are clear to us and, we hope, to you as well.

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Music

Mondays @ 10:30. No cover - Dan Dyer takes over the Monday nights through the end of August! "In a town full of guitar slingers and songwriters, Dyer's a singer. That puts him in a tiny local genre that includes predecessors Paul Ray, Junior Medlow, and Malford Milligan, all men who could play a note or two but sang it best. Dyer has the cool polish of a talent destined to make it, having worked with Lenny Kravitz and as one the hottest session vocalists in New York." ~Margaret Moser, Austin Chronicle.
Video Links:

Dan Dyer

Tuesday 9/7 & 9/21 @ 8:00. No cover - Friday Night Lights actress Dana Wheeler is not just a bright light on screen, she is also a talented singer! She will play on select Tuesdays (6/8, 6/22, 7/6, and 7/20) from 8pm-10pm with her band, featuring pianist Eddy Hobizal. Wheeler sang in New York City for several years, with residencies at Joe's Pub, and jazz club Deanna's. She also sang at the Cutting Room, CBGB'S Gallery, The Slipper Room, The National Arts Club and others. P.S. I heard her sit in with Dale Watson one night in the Club and was quite impressed with her voice. 
Video Links:
N/A

Tuesdays @ 10:30. No cover - Ephraim Owens is on tour with Sheryl Crow until October, so organist Red Young and drummer Brannen Temple will be holding down the fort for Ephraim. Red & Brannen will get a little help from James Robinson's band Naked @ 2am during August and Seprtember on any dates that Red is on tour with Eric Burdon & The Animals. 8/31 & 9/7: Naked @ 2am; 9/14: To be confirmed; 9/21, 9/28 & 10/5: Red Young & Brannen Temple
Video Links:
Ephraim Owens
Red Young
Naked @ 2am

Wednesdays @ 8:30. No cover - Jon Blondell Jazz Trio is the newest addition to our Wednesday night lineup! Famed bassist & trombonist, Blondell brings his own take on jazz to an early set. Jon Blondell - Electric Bass, Carter Arrington III - Guitar, Masumi Jones - Drums.
Video Links:
Jon Blondell

Wednesdays @ 10:30. No cover - Trube, Farrell & Sniz are Anthony Farrell and Andrew Trube of the Greyhounds, along with drummer Dave "Sniz" Robinson. They bring their mix of funk, soul and r&b to the Gallery every Wednesday night for a real happening scene.
Video Links:
Trube, Farrell & Sniz

Thursdays @ 10:30. No cover - Continental Graffiti is Olivier Giraud's latest Django incarnation. The addition of fiddler Katie Holmes has added another dimension to their already-fabulous sound. The gypsy jazz that Olivier has become known for is great for dancing and for listening. Our Gallery space is perfect for just this kind of ultra-cool evening.
Video Links:
Continental Graffiti

Friday 8/27. Doors open @7:30, Show @ 8pm-9:30pm. No cover - Darden Smith has re-written the script and music for his theater piece, MARATHON! This is the latest version of his Dramatic Song Cycle with all new songs; look for the CD, Marathon, coming in the Fall.
Video Links:
Darden Smith

Fridays and Saturdays @ 10:30. $Variable - The Mike Flanigin B-3 Trio features Mike on Hammond B-3 or B-6 organ amplified through a classic Leslie cabinet. His backing players vary from night to night, but you count on it being the cream of Austin's crop in jazz, blues or funk. Regular guitarists include Derek O'Brien, Jonny Moeller, Mike Keller, Dave Biller, Gary Clark Jr. and Denny Freeman, and even special guest Jimmie Vaughan on occassion. The drummer will most likely be Barry "Frosty" Smith, but George Rains, Damien Llanes, Kyle Thompson and Chris "Whipper" Layton are also on tap. Whether the show is jazz, blues, funk or some combination of them depends solely on who the guitarist is, since Flanigin does it all with finesse.
Friday 8/27 @10:30, $ - Mike Flanigin Trio w/Derek O'Brien & Frosty
Saturday 8/28 @10:30, $ - Mike Flanigin Trio w/Derek O'Brien & Frosty
Derek “Big House” O’Brien is a Texas-style blues guitarist, sometime bassist and record producer based in Austin, TX. A stalwart of the house band at the famous Austin blues club Antone’s Nightclub, O’Brien is most often found backing up other Austin frontmen, including Delbert McClinton, Lou Ann Barton, The Texas Tornados and almost anyone recording on the Antone’s Records label. O’Brien has also backed up major blues names such as Buddy Guy and Muddy Waters. Ted Drozdowski, writing on Gibson Guitars’ website, says, “O’Brien has a terse, arrow-sharp and spare style comparable to Jimmie Vaughan’s – light on flash, but soooo right. Check it out.”
Frosty's bio includes these highlights: • 1960-1980 San Francisco and Los Angeles recording and performing includes: • Lee Michaels, Sly & The Family Stone, Sweathog, Rare Earth, Parliament Funkadelic, Steve Miller Blues Band, Delbert McClinton, numerous Motown sessions, and numerous commercial jingles...( obviously this boy can't hold a steady job ) • 1981-1991 Texas recording and performances include: Marsha Ball, Texas Tornadoes, Lou Ann Barton, Alejandro Escovedo, Omar and the Howlers, Butch Hancock, Delbert McClinton, Doug Sahm and the Texas Mavericks, Texana Dames, Tex Thomas and the Danglin' Wranglers, W.C.Clark Blues Revue, John Mooney, Chris Duarte Group, and Soulhat • 1991-1994 • Drums and Percussion for Soulhat [Sony/Epic records] • 1995-1996 • Various tours throughout the USA, Canada, Europe, and Japan with the Chris Duarte Group • 1997 • Session player, freelance drums and percussion, instructor, and clinician for Fibes Drum Company • 1998-1999 • Performs with Soulhat,recording, and touring • 2000-2001 • Joins Guy Forsyth Band, records, tours Japan, and Europe, Starts web label DV8 Records, begins Production Company - S&M Productions, co-produces Omar and the Howlers new CD Screamin' Cat, co-writes music/lyrics for Soulhat, Papa Mali and The Instagators, The Nighttime Institute, and M.C. Overlord.
Video Links:
Mike Flanigin

Sundays doors @ 8:00, show @ 8:30, $Variable - Jon Dee Graham & Friend is an acoustic format with Jon Dee playing guitar, lap steel and who knows what else. Each week he invites a special guest to join him for a semi-acoustic concert punctuated by stories that will bring lots of laughter and maybe even a few tears. Jon Dee has a way of getting his fellow musicians to relax & talk & share stories that you probably haven't ever heard before. It's not just music - it's also part talk show & part comedy hour, and 100% genuine.
Austin Chronicle Recommended!
8/29 @8:30, $10: Jon Dee Graham & TBA
9/8 @8:30, $10: Jon Dee Graham & TBA
Video Links:
Jon Dee Graham
Adam Carroll

Sundays @ 10:30, no cover - The Mike Flanigin B-3 Trio features Mike on Hammond organ amplified through a classic Leslie cabinet. His backing players vary from night to night, but you count on it being the cream of Austin's crop in jazz, blues or funk. Possible guitarists include Derek O'Brien, Jonny Moeller, Mike Keller, Dave Biller, Denny Freeman and Jimmie Vaughan. The drummer will most likely be Barry "Frosty" Smith, but George Rains, Damien Llanes, JJ Johnson, Kyle Thompson and Chris "Whipper" Layton are also on tap.
Austin Chronicle Recommended!
Video Links:
Mike Flanigin

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Coming.... N/A

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Special Event

None at this time

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Literati

None at this time

 

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The Continental Club

Bringing the Continental tradition to Downtown Houston

3700 Main St, Houston TX 77002

http://www.continentalclub.com

http://www.myspace.com/continentalclubhouston

Volume XIV, Issue 3.4 * August 26, 2010

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"A spin-off of an Austin landmark, this club located in a booming section of Midtown plays host to popular retro roots, rockabilly, country and swing acts like Big Sandy and Flaco Jimenez, who perform on a red velvet-curtained stage; vintage neon light fixtures shine from high metal ceilings in the space that was once a general store, where pool tables, a back-room bar and an outdoor patio offer a respite from the music." ~Priceline.com

***

The Space City Music Spin

Come on down for a cold one and a hot show in air conditioned comfort, and visit the new location of Sig’s Lagoon, just across Winbern from the club (the side street). Judy Masliyah’s got a brand new clothing store, My Flaming Heart in the front of the new building and look out for Natachee’s Supper ‘N Punch coming soon! Here's a Houston Chronicle article on the happenings, and here's one from CultureMap.com that focuses on Natachee's. Planned openings for the 3600 Main Shops - Open now: My Flaming Heart (apparel, jewelry and folk objects) and Sig's Lagoon (music, posters and gifts at 3600 Main St.). Opening in August: Natachee's (restaurant at 3622A Winbern) and Shop-O-Rama (vintage collaborative), Big Kat's (barber shop/tattoo parlor) and Kat's Meow (hair salon). Opening in September: an as yet unnamed coffeehouse.

***

I have been viewing photos from The Continental Club's 10th Anniversary in Houston! Thanks to awesome photographer Jay Lee, The Bald Heretic, for always keeping his lens focused on us! Here's his CC 10th Anniversary Photo Gallery.

***

When you come visit us on Main St, don't forget the good eats at Tacos A Go-Go, 3704 Main, a funky taco joint right between the Continental Club, Sigs Lagoon, and Shoeshine Charley's Big Top Lounge (The Big Top). You can place your order, return to your drink at The Big Top, and they will deliver your order to you. The Pachinko Hut is now open in The Continental Club's backyard! Come by and enjoy our brand new deck.

***

Check out Chris Gray's latest photo blog in the Houston Press, Houston Music Is More Than Just Wallpaper. He writes:

The block of music-related businesses at 3700 Main known as the Island - Continental Club, Sig's Lagoon, Big Top, etc. - will soon have some new neighbors. The Island's owners are currently remodeling the building due north of the Continental, a former wallpaper store, into a coffee shop and poster gallery, clothing/jewelry boutique and maybe a wine bar. (Rocks Off forgets.) At the moment, though, the exterior is an eye-catching mural of notable names in Houston music throughout the years, as painted by some talented local youth.

Rocks Off took some shots of the mural on his way to work Thursday morning. Check it out the next time you're in the neighborhood.

Or you can view the photos online here.

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Hey, y'all, the Continental Confidential can now be found on our MySpace Blog, as well as on the website!

***

Check out our schedules below for both The Continental Club, The Pachinko Hut and for THE BIG TOP. Tickets for select shows, which will be noted in the schedule, will be available at Sig's Lagoon, 3710 Main St., (713) 533-9525.

Email Pete if you need more details on the shows, or give us a call (713) 529-9899.

Keep Rockin’ Houston,
Dianne

***

This week's shows at The Continental Club, Houston...

Thursday 8/26 - Graham Wilkinson @ 10pm
Video Links:
Graham Wilkinson

Friday 8/27 - Black Joe Lewis and The Relatives @ 10pm - Tickets available at the door!
Video Links:
Black Joe Lewis
Relatives

Saturday 8/28 - Two Tons of Steel @10:30pm, plus The Umbrella Man @ 9pm - Buy Tickets!
Video Links:
Two Tons of Steel
Umbrella Man

Sunday 8/29 - Houston Funk Factory @ 9pm! Doors open @ 8pm
Video Links:
Houston Funk Factory

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Upcoming shows at The Continental Club, Houston... 

Thursday 9/2 - Johnny Sketch and the Dirty Notes @ 10pm
Video Links:
Johnny Sketch

Friday 9/3 - Skyrocket! @ 10pm - Buy Tickets!
Video Links:
Skyrocket

Saturday 9/4 - The Umbrella Man @10pm, plus Ginger Leigh @ 8:30pm - Buy Tickets!
Video Links:
Umbrella Man
Ginger Leigh

Sunday 9/5 - Houston Funk Factory @ 9pm! Doors open @ 8pm
Video Links:
Houston Funk Factory

Wednesday 9/8 - The DarDans @ 6pm
Video Links:
N/A

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Weekly Residencies at The Continental Club, Houston...

Every Monday - The beautiful Tango music of pianist Glover Gill begins at 8pm every Monday. Tango dance lessons @ 7pm!!
Video Links:
Glover Gill

Every Tuesday - Closed!

Every Wednesday - The Umbrella Man @ 8pm! Comedy, Music and more. Doors open at 8pm. Yes, that's right! Umbrella Man has moved from their long-time Tuesday night home to Wednesdays.
Video Links
:
Umbrella Man

Thursday Nights 7:00 -10:00 - FREE! BEETLE is an unbelievable band; “close your eyes” and you are there. Beetle weaves their way through all the fun of The Beatles songs, playing “Hard Days Night”, “Lucy in the Sky”, “Hello Goodbye”, and “She Loves You, YEAH, YEAH,YEAH” they cover all the favorites. Paul on bass, Jim on guitar, Jamie on guitar, and BK "Ringo" Jamison on the drums, BEETLE will have you dancing the evening away week after week. TACOS A GO GO is right next door to feed you some of their fantastic food!
Video Links:
Beetle

Friday Nights 7:00-9:00. No Cover - On the first Friday of every month Molly and the Ringwalds are giving you the best in 80’s Pop Rock. The second & fourth Friday of each month we'll remember the British Invasion with Picture Book @ 7pm-9:30pm; Band on the Run, a Beatles tribute band, has the third Friday of the month; any months with a fifth Friday will feature the Golden Oldies with The Allen Oldies Band.
Video Links:
Molly & The Ringwalds
Picture Book
Allen Oldies

Keep readin' & rockin'....
Dianne

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The Pachinko Hut

The Continental Club's backyard patio & ice house

3700 Main St, Houston TX 77002

Volume XIV, Issue 3.4 * August 26, 2010

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"There's yet another place to drink at 3700 Main, the block already home to the Continental Club, Big Top and the Mink. It's the Pachinko Hut, an icehouse in the Continental's backyard catering to those who'd prefer not to stay out until the wee hours. Named after the Japanese game that's half pinball, half slot machine, the Pachinko Room opens as early as 4 p.m. weekdays, but check the website to make sure. It opens even earlier Saturday..."
~Shae Serrano, Houston Press

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The Pachinko Hut is open! Visit the Pachinko Hut in the backyard and enjoy the brand new deck.

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This week at The Pachinko Hut...

Sunday 8/29 - TBA
Video Links
:

N/A

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Upcoming shows at The Pachinko Hut...

Sunday 9/5 - TBA
Video Links
:

N/A

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Shoeshine Charley's Big Top Lounge

No Phone - No Pool - No Pets - No Phacebook

3714 Main St, Houston TX 77002

Three doors down from The Continental Club

http://www.continentalclub.com

http://www.bigtoplounge.com

http://www.myspace.com/bigtoplounge

Volume XIV, Issue 3.4 * August 26, 2010

***

"Basically the chill out room to Houston's venerable hard-partying Continental Club, Shoeshine Charley's Big Top Lounge, while not being as raucous as its adjacent bar brother, is really no slouch when it comes to the hip and boisterous drinking scene. When you step inside to this local Houston bar the decor will definitely make you do a double take, but don't worry, despite the circus atmosphere the only freaks here are the ones you came in with and the only high wire acts are downing canned PBR's while slamming shots. On some nights, Shoeshine Charley's Big Top Lounge has some local live music treat their patrons to a riff or two." ~Houston.com

***

Shoeshine Charley's Big Top Lounge is named after "Shoeshine" Charley Miller (b. 1937 - d. 2001) a long time staple of The Continental Club in Austin, TX, and in the Houston Club after it opened in 2000. The room was once Playhouse Toys, which was open in the 1930s and 1940s. It still has several murals of animals on the plaster walls, one if which is believed to be the inspiration for Geoffrey Giraffe of Toys 'R Us. We've got No Phone, No Pool, No Pets, No Phacebook, BUT Shoeshine Charley's Big Top Lounge is now on MySpace! Won't you be our friend?

The Big Top opens at 8pm Wednesday—Saturday. No cover. Ever.

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This week's shows at Shoeshine Charley's BIG TOP Lounge...

Thursday 8/26 - The Caprolites with Psychedelic Sex Panther @ 10pm
Video Links
:
Caprolites

Friday 8/27 - Band on the Run @ 10pm
Video Links
:
Band On The Run

Saturday 8/28 - The Light Rock Express @ 10pm
Video Links:
Light Rock Express

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Upcoming shows at Shoeshine Charley's BIG TOP Lounge...

Thursday 9/2 - Super Pancho Combo @ 10pm
Video Links
:
N/A

Friday 9/3 - @ 10pm
Video Links
:

Saturday 9/4 - @ 10pm
Video Links:

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Weekly Residencies at Shoeshine Charley's BIG TOP Lounge...

Every Wednesday @ 10pm - Peter & James no cover!
Video Links:
N/A

Every Thursday @ 10pm - Pistoleros de Texas, no cover! *Except 8/26: The Caprolites with Psychedelic Sex Panther; and 9/2: Super Pancho Combo
Video Links:
Pistoleros

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Email me if you need more details on the shows, or give us a call. (713) 529-9899. If you are interested in holding a party at the Continental Club or The Big Top, drop us a line for details, we hold all kinds of cool events here. Keep Rockin’ Houston.

Thanks,
Pete

***

Are you a customer with questions about upcoming show times, tickets, cover charge etc.? In Austin call: (512) 441-0202 or (512) 441-2444 or e-mail Dianne at info@continentalclub.com. In Houston call: (713)529-9899 or (713) 529-9666. Are you a musician inquiring about booking a gig? Booking in Austin: steve@continentalclub.com. PR in Austin: Dianne, info@continentalclub.com. Booking & PR in Houston: pete@continentalclub.com.

***

There is currently no e-mail version of the newsletter for Houston, however there is a monthly pdf calendar available via e-mail. Sign up for the free subscription to the Houston calendar by sending an e-mail with "subscribe" in the subject line to calendar@continentalclub.com. If you have questions about Houston shows, contact Pete at pete@continentalclub.com. You may subscribe to a weekly e-mail of the Austin info from Dianne at info@continentalclub.com.To unsubscribe from the e-mail

version, or if you feel that you have received the e-mail in error, please respond to info@continentalclub.com with "unsubscribe" as the subject. Don't forget to get your birthday to me if you want to be on the monthly birthday list. I'd be happy to add Houston birthdays also if y'all let me know about them!

Keep readin' & rockin'....
Dianne

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